Sample 1: B. Bartok - Concerto for viola and orchestra - 1st movement: Moderato Sample 2: A. Schnittke - Concerto for viola and orchestra - 2nd movement: Allegro molto |
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"[...] richly coloured, sophisticated sound characteristics [...]", "[...] amazing balance between airiness and sound intensity [...]", [...] colourful and with much passion [...]", Zeitschrift "Kultura", Sofia, 15.3.2002 | |
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Sample 1: K. Stamitz - Concerto for viola and orchestra in D major - 3rd movement: Rondo (Allegretto) Sample 2: K. Penderecki - Concerto per viola ed orchestra |
Very first recording worldwide of all six sonatas for two violas by J.-M. Leclair. "[...] competent and lovely sounded always [...]", "They find the characteristiv trait of every single movement and present the cycle as challanging chamber music." (Das Orchester, 10/01) |
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Sample: J.-M. Leclair - Sonata for two violas, No. 6 in E-flat major - 1st movement: Allegro |
"[...] Wolfgang Manz' claviature mirrors a nacre-coloured glimmer which fits wonderfully the velved sounds of his partner. Qualities wich accomodate Brahms' both sonatas [...] with their uninterrupted bacchanal flow in a pleasant way." (Luxemburger Wort 10/99) | |
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Sample 1: J. Brahms - Sonata for Viola und Klavier, op. 120, No. 2 in E-flat major - 1st movement: Allegro amabile Sample 2: A. Honegger - Sonate pour alto et piano - 1st movement: Vivace |